I recently completed a Westerfield Pennsy class GRA gondola. You can find the previous posts via these links: Part 1 and Part 2. When I left off, the model was painted and awaiting lettering. I created my own lettering and had the decals printed by PDC.
Next, I applied some streaks to the sides below the floor boards. I have a prototype photo that displays a similar type of weathering. I dabbed on a mix of white and Payne's grey artist's oils that were then drawn upwards using mineral spirits, so that the greatest paint concentration was where the floor boards are exposed on the sides and also to create simulated streaks.
The photo above illustrates the model after a light weathering. I sealed the oils referenced above with a coat of clear flat first. I then added light amounts of PanPastels Burnt Sienna and Raw Umber. This toned down both the white of the lettering as well as the harshness of the light-colored streaks. I sealed these with a coat of Future, followed by the addition of more chalk marks. I sealed the chalk marks with a coat of Future followed by clear flat.
The last steps to create the finished model, excepting the load, are shown here. I masked small areas for the repack stencils and painted them gloss black using an airbrush. I applied the repack stencils, using spares for Missouri Pacific from my decal bin. After they had dried, I sealed them with clear flat. Lastly, I added bits of white paper to simulate routing instructions, secured with Loctite Stik'n Seal. I added the couplers and trucks to complete the car.
The load is something I have been passively working on for years. I have a ziplock bag that I add bits of this and that too, knowing that they will end up as part of a scrap load. While loose on a piece of newsprint, I sprayed most of the junk with silver and grey paints from a rattle can. Once everything was ready, I placed the pieces inside the car body. I masked around the top edges of the car sides and then applied a very liberal stream of clear flat using a rattle can. This served as a quasi adhesive to secure much of the matter in place. I then added diluted white glue using an eye dropper to help secure things even more, especially the material at the bottom of the load. Finally, some of the larger pieces were secured using Loctite Stik'n Seal. While nothing is 100% securely in place, everything is nonetheless in place sufficiently that when turned upside down, nothing falls out! The final step involved several applications of drybrushed grey and black paints along with the addition of various rust shades of Pan Pastels and Tamiya brown wash. If one looks intently at individual pieces of the load, they may not stand up to scrutiny, but as a whole, I find the load highly convincing to simulate scrap from machining waste and various pieces of junk. In a moving train, it definitely does the job. On to the next project...
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